Personally-Bound Song Collections: Combining Popular Trends with Nostalgia by Brianna Robertson-Kirkland.
Revisiting the Achievements of Song-Collector Alexander Campbell by Karen McAulay(i).
Piano Variations and Shaping the Foreign Popularity of Scottish Tunes by Sarah Clemmens Waltz.
The Song of the Western Men by Derek B.
Tracing ‘The Yellow Hair’d Laddie’ by Brianna Robertson-Kirkland.
Welsh song and the London stage by Elizabeth Edwards.
National Song in The Gentle Shepherd: Original Impurity in Scottish Pastoral by Steve Newman.
‘With Such Great Variety and True Musical Merit’: The Dissemination of Scottish National Song Culture in Civil War America by Catherine Bateson.
Spectacles of Song and the “Reconstructing Early Circus” Database by Leith Davis.
Singing British National Songs 1750-1850: our performers reflect on the RNSN concert on 18 March 2019.
Reflections on our RNSN concert of British National Songs 1750-1850: by members of the RNSN.
John Malchair’s categories of music: Welsh, Irish, Scotch by Alice Little.
What makes a song ‘national’? William Shield and Thomas Holcroft’s “Down the bourn and thro’ the mead”, alias “Johnny and Mary: A favourite Scots song” by Amélie Addison.
“Erin go Bragh”: migration, nationalism and resistance in a nineteenth-century street song, by I.
The Romantic National Song Network: the story so far… by Kirsteen McCue.
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